Single Review: “The Forest” – Platronic

This is quite a track! It opens with bird song, and breathing, and then the pulsing synth bass line, when I close my eyes I don’t see myself walking through the forest I see myself gliding through tall trees as I listen to this… the vocals are wordless it’s lahs and nahs, and it just …

Single Review: “I’ve Got Nothing John” – Coco And The Lost

I think this is the perfect breakup song! A take on the classic dear John letter maybe?  “Thinking of a reason we should stay together 12 months on, I’ve got nothing John.” This is a brutal lyric, wrapped up in a really up tempo indie pop song, the chorus is infectious.. Favourite part of this …

Review: The Comet Is Coming “Hyper-Dimensional Expansion Beam. Words: Sammy Stein

The Comet Is Coming, Hyper-Dimensional Expansion Beam ( Impulse 23 Sept 2022) The Comet is Coming comprises Danalogue on Rolands, Betamax on drums and percussion, and Shabaka Hutchins ( King Shabaka) on tenor saxophone. Since their entry into what was sometimes a disingenuous jazz scene, The Comet Is Coming has brought a reality, a street-centered, squarely-planted …

Single Review: “Venus Eye Honeytrap” – Doviak

  Doviak is here with a track that comes at you with attitude, the drums deep and punchy in the mix, with some great guitar work, and his vocals so clear… I love the way that there’s a falsetto over the top to reinforce it all. Overall the track is dark, both lyrically and musically, …

The Music Of Sound – Music To Plan Towns By

  Well… This is gorgeous isn’t it? I have so much to say about this piece. So please indulge me. First of all this is the composition of Dr. Neil March, composer, radio DJ, gig/festival promoter, music lover, fellow Fresh On The Net moderator (Deeeeeeep breath) arts council England funded artist…. Have I missed anything? …

Album Review: “Pixelation” – Kiffie

Pixelation by Kiffie Pixelation This track is characteristic of Kiffie’s sound, very electronic, sparse synth sounds…. But there’s one little change, this track is not in 4/4. At least not all the way through. Don’t get too confused, it’s a bit of polyrhythmic play that funnily enough I was discussing with a colleague of mine …