I’m not sure what it is about this song, but lyrically it caught me off guard. Why? Well, the main part of the song says I hope you’re really happy all your life. The first line talks about his birth and how he took a deep breath and started to cry. He then starts to …
This has such a psychedelic feel to it, especially thanks to the jangly guitars and the laid-back vocals. First this begins with a broken beat but all falls into place when the guitars, bass and synth come in. This has a poetic feel in the lyrics and this is evidenced by my favourite part of …
This starts off really gently, just an a cappella section at the beginning which is then joined by synth and piano, but don’t let that make you think it’s a ballad. It’s far from it – there’s a roar of distorted guitar before it just idles. This has a driving beat to it but that’s …
This track starts off with some ethereal sounds that disorient you but in a good way! The vocals are arranged in such a way in the beginning, sung ahhhs in different pitches, then there’s a sound that makes it feels like you’re sucked into reality. Then the main vocals come in over bell like synth …
Well! This is a fabulous piece of punk rock isn’t it? It starts off with a melodic bass line that is higher up in the register – really good bass work by the way – before settling into the song properly – joined by sticks clicking together as well as a snare, kick and tom …
Lara Taubman is a singer/songwriter from southwest Virginia, residing in New York City. She believes in the power of song and story as an aid to people needing respite in a rapidly transforming world. Her third album is ‘The Gospel of Getting Free’ which follows her albums ‘Revelation’ on Wolfe Records and ‘Ol’ Kentucky Light.’ …
This track combines a strong soulful vocal over a fantastic dance beat that sounds exotic, I love the build up to the hook on this, the bass line is hypnotic, and the percussion wanders in and out. But when it gets going you have a song that really is anthemic, I mean it’s a call …
This is the new single from Rubberband Girl and… it’s a cracker. It’s like a cleaned up “Hand In My Pocket” with a banjo in there, and the drums are “properly” recorded, not as gritty. The title reminds me of a segment of Top Gear which *shock horror* I’ve never seen but was having a …
I picked this song as my track of the day because the synth sounds are instantly recognisable to me. The harsh clap (It’s not a snare funnily enough) is a synthetic sound that Cameo have used on “Word Up” and of course the orchestra hit sound was what I judged my synths by back in …
This is the second single from the upcoming Project Blackbird album, and it reinforces what I’ve always known about this band. They produce damn fine songs. This starts off with an electric piano bathed in warm chorus, over which trumpet player Jon Read plays a really simple melody over this chord progression – G Maj …
