Since I’ve never seen Snatch a lot of the references here are probably going over my head. However, this was one of the tracks that caught my ear in the full inbox. I love the way that the vocals are delivered in a Danny Dyer style, although I think you need to be sucking on …
I like the synths on this one, especially the arpeggiated intro and crunchy lead. The vocals are spoken / sung, the main vocals go up and down on the scale. I like the way it switches from a major to minor key by singing one semitone down on one note. This is definitely worth a …
The intro is what draws you in on this one, it’s very big, synth-wise, promises epic things, and boy does it it deliver… I love the vocals on this, as well as the drums, they are fluid and really stand out amongst the overall track. When I first heard this I knew it would be …
Laurie Wright is back with a track with strong vocals, guitars, drums and…. Harmonica! This song comes roaring out of the gates with attitude, and it’s a cracker. I really like Laurie’s vocals on this, it sounds like he’s having a blast recording it, but this belies the dark feeling behind the lyrics, there’s a …
I like the soulfulness of this tune. Fran starts off in the lower range of her voice but what really took me by surprise was when she hit the chorus and the multiple layers of harmonies. Beautiful work! The production on this is so good too, I love the synths on this – poppy but …
WELL!!! This… is…. FUNKY! The stabs in the intro promise so much and over deliver, this is professional musicianship at its best. From the horns, drums, bass, vocals, hammond organ this is a blast to listen to – it reminds me of early 90s acid jazz, and it’s so well done, I don’t want to …
I’m trying to decide whether this is a punk protest song or not. It’s definitely punk, the attitude is there. But the lyrics are definitely interesting, it’s the reality of immigrants coming to the UK, and their stories, it’s loud, it’s aggressive. But do you oboe what? It’s getting the message across. For me the …
I have heard this song so many times now, I think it’s part of my soundtrack of 2023. It’s such a simple song, Prima Hera’s vocals are gorgeous on this. She has a touch of reverb on her vocals, and she’s able to harmonise comfortably going from a major to minor harmony with the other …
There are so many things that I like about this song, first of all it’s in 3/4 time. That will always be welcome around here. Secondly, the pizzicato strings, you don’t usually hear that in music nowadays unless it’s arpeggiated a la Rodney Jerkins 90s productions, so it’s good to hear that. Thirdly, Blossom’s voice …
https://johnhollenbeck.bandcamp.com/album/letters-to-george John Hollenbeck is a genre-fluid composer/percussionist, renowned in both the jazz and new-music worlds. He gained widespread recognition as the driving force behind the unclassifiable Claudia Quintet, and the ambitious John Hollenbeck Large Ensemble, groups with roots in jazz, world music, and contemporary composition. He has earned six GRAMMY nominations and has worked …
