What I like about folk music is that as you listen you can close your eyes and see the story unfollowed as it’s sung, it’s essentially a way to pass down family and local lore through the generations – Molly Malone, Eleanor Rigby, and so many more. This song is no different. Katherine sings of …
Well, this is…. HUGE. A multi instrumentalist with prodigious amounts of talent. A gospel music legend. A British rapper who is larger than life. An incredible singer songwriter from Canada who’s killing it right now… Plus a 500 voice choir no less. This starts off with Jacob’s signature tones, rich in sound, backed by finger …
Well! This is a stonker of a track from Barbara. Electric piano put through a slight phaser for the intro, it comes at you with the feel of a musical theatre song, you can just imagine the gaudy colours and big gestures. Just to add to that the big vocals with harmonies panned left and …
This starts off with that real live room rehearsal feel, like you’re sat in Pirate Studios and privy to a band’s inner sanctum… I like that idea! Sometimes the mix doesn’t need to be clean to capture the energy of the track. It’s big, it’s loud, and combines all the elements – Italo-Egyptian-Garage-Punk. Love it. …
I became aware of Mama Terra when I took part in a Jazz FM panel show at Pizza Express, Holborn, London. The band was exploring and recreating partially, Herbie Hancock’s 1973 album ‘Head Hunters’. I was impressed by co-leader Marco Cafolla’s animated exposition of why he likes Herbie Hancock – and then by the music …
Rosie is back with the opening track from her upcoming album “Featherweight”, it switches gears well – going from Latin-jazz flavour to distorted riffs – I’ve been a big fan for a long time. Her voice is as strong as ever, my favourite part is at 1:20 nice bit of guitar playing but then there’s …
Track Of The Day “Finally Alive” @edsunmusic This starts off as what I thought would be a retro disco track, especially with that piano and the bass drop.. but then it kicks into something funky, loving the muted guitar on this… watch out for the drum rolls because that’s where it changes up into a …
Is this a song told from the perspective of a turtle? Possibly, given the first line of the song! “I can feel my head sliding back inside my shell…” and the picture of one of the front cover. Or, it could be a contemplative song of what the writer could be doing instead of their …
120_Alarm comprises Steve Thompson (Sophie Ellis-Bextor, Nigel Kennedy, Robert Smith, Lisa Stansfield) on Electronics, Laser Harp and Keyboard, Tamar Osborn (Akram Khan, Collocutor, Kelis, Van Morrison, Billy Ocean) on saxophone and flute, Emma Bassett (Adele, London Philharmonic Orchestra, Tim Minchin) on trombone, Alistair ‘Titch’ Walker (Divine Comedy, Doolally Tap) on trumpet, Ollie Weston (Amy Winehouse, …
A nice slice of EDM here, but it’s more than just that. There are some lush strings on this, and I love the house piano riff on this. This track puts you in a good mood soon as it starts, and it’s the harmonies in the chorus that whisk you off. What’s the song about? …
