Review: “Imperial March (Darth Vader’s Theme)” – John Williams

You can always recognise a John Williams soundtrack. There’s always an Easter egg from another. Or just the sheer ferocity. Or the romantic tenderness. It’s hard to pin down a favourite piece by him, but this one stands out.  Subtitled Darth Vader’s theme, this is written for the main villain in the original trilogy,  what …

Album Review: “The Synesthete” – Joe Adhemar

Joe Adhemar has released a new album. Let’s break it down shall we? “The Synesthete” available on Bandcamp   Found Out  This is a great track to kick off the album with, very bluesy, I like the way vocals have a slight delay to it, the main guitar riff has chromatic notes in there, and …

Single Review: “Going To Watch The Sunrise” – I’M

This is a fantastic piece of electronica from South East London based musician and producer I’M. Lots of of warped basslines mixed in with a beat that you can’t help but move your feet to.  The pitched down vocal sample of “Watch The Sunrise” is simple, but very effective, one of the things that I …

Single Review: “Wish You The Best” – Brave James ft. Blue Lab Beats

Having been a fan of Brave James since the release of their fantastic track “Spaceships”, it came as no surprise that  collaboration with one of my favourite production teams was definitely going to be special.  This is a slower paced track, starting off with percussion and marimbas and it’s gorgeous.  The track as a whole …

Single Review: “Butter Side Up Boy” – Laurie Wright

Laurie Wright is back with a track with strong vocals, guitars, drums and…. Harmonica! This song comes roaring out of the gates with attitude, and it’s a cracker. I really like Laurie’s vocals on this, it sounds like he’s having a blast recording it, but this belies the dark feeling behind the lyrics, there’s a …

Single Review: “I Still Love Him” – Blossom Calderone

There are so many things that I like about this song, first of all it’s in 3/4 time. That will always be welcome around here.  Secondly, the pizzicato strings, you don’t usually hear that in music nowadays unless it’s arpeggiated a la Rodney Jerkins 90s productions, so it’s good to hear that.  Thirdly, Blossom’s voice …